In a fresh development, Sony LIV platform has acquired the post-theatrical streaming rights for “Marco” at a impressive price, setting a record for the biggest OTT deal in Mollywood. Despite circulating rumors about Netflix acquiring its digital rights, the producers have dismissed these rumors. While streaming dates are still under wraps, its Kannada release might cause slight delays in the digital launch. Additionally, the continuation of “Marco” has been announced, and the script for the sequel is under development “Marco”, the Malayalam thriller has made a massive impact at the box office, achieving a box-office haul of Rs. Featuring Unni Mukundan, it has become the first Malayalam A-rated film to surpass the Rs. Directed by Haneef Adeni and produced by Shareef Muhammed under Cubes Entertainments, the film also boasts a stellar cast including Siddique, Jagadish, Abhimanyu S Thilakan, Kabir Duhan Singh, Anson Paul, and Yukti Tareja. The intense score of the film is composed by the talented Ravi Basrur.

They know how to find extra financing, and that’s one of the key advantages of this company.” Mondeti continued, “During the production design phase, I realized about a storm sequence I had missed earlier. When questioned about the budget overruns in a recent interview, Mondeti acknowledged, “My primary focus was on the storytelling. I felt this scene was necessary to elevate the audience’s engagement.” Indeed, the budget went over initial plans. However, Allu Aravind Garu and Bunny Vas Garu have a great understanding for financial matters.

He also highlighted the production house’s focus to high standards, stating, “Allu Aravind Garu is determined about maintaining the integrity of the narrative. For him, only the final product counts, despite how much we’ve invested.” If we invested a significant amount in a scene that damages the film’s rhythm, he advises us to scrap it.

He remarked, “Anil Ravipudi completed Sankranthiki Vasthunnam in a mere 72 days, demonstrating the importance of careful planning and execution in achieving success. In his address, Dil Raju shared insightful remarks that have since gained significant traction on social media platforms. Recently, the distributors of Venkatesh’s film Sankranthiki Vasthunnam organized a thanksgiving event to acknowledge the contributions of all those who supported the project. It is not the budget that matters most, but rather the quality of the story. This Sankranthi has imparted a valuable lesson.” His remarks, particularly following the significant failure of Game Changer, have ignited discussions across social media platforms. Anil Ravipudi helped us rediscover our identity through Sankranthiki Vasthunnam and illuminated a path forward. Our banner has flourished by prioritizing compelling narratives and collaborating with emerging directors.” Dil Raju continued, “In the past four to five years, we, too, faced challenges by relying on unconventional combinations. The political drama featuring Charan has encountered prolonged production delays, leading to cost increases and significant financial losses for all parties involved. Director Shankar has faced criticism for allegedly squandering the producer’s resources and delivering a subpar product. Respected producer Dil Raju and director Anil Ravipudi attended the gathering. Filmmakers often overlook this fundamental principle.

Laila, featuring Vishwak Sen, is particularly in need of a successful debut, especially in light of his recent run of underperforming films. Valentine’s Day is anticipated to be noteworthy this year, with three films—Laila, Brahma Anandam, and Dilruba—set for release on February 14, 2025. The third film, Brahma Anandam, boasts a remarkable cast, including the esteemed Brahmanandam and his son Goutham. With only two weeks left until the release, the marketing initiatives have not lived up to expectations. Unfortunately, there seems to be a lack of excitement surrounding these films, as the production teams have opted for a low-key promotional strategy. Conversely, Dilruba has elicited minimal interest thus far, with its promotional activities yet to commence, leading to rumors regarding a potential postponement. Without an uptick in promotional activities, the opening performances of all three films are likely to disappoint. It will be intriguing to observe how the situation develops in the days ahead.

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